2013年10月6日星期日

complemented the darkness of the looks

what would they sound like? palazzo pants or a maxi skirt, a good crop top will never let you down. You can show a little or a lot of skin depending on what you’re comfortable with and you can even opt for half or full sleeves, cutouts, embellishments — or pretty much anything! If you want to really show off your tummy, like Miley adores showing off her abs, then you’ll want to go with a short crop top and pants or leggings — although this is definitely one of the harder ways to work the style. If you have more of an ample chest, I recommend trying a bralet or bustier top.Louis Vuitton monogram idylle These styles are also better for petite girls who have trouble finding a crop top that isn’t awkwardly too long. It will really flatter your figure in a way the cropped tees can’t. Cropped tees are best for gals with smaller chests and look amazing with jeans or a high-waisted pair of denim shorts.

 This was the abstract question that Iris Van Herpen — better known for her couture creations — answered during her official debut in ready-to-wear. Van Herpen used state-of-the-art technology to stage a performance, where models writhed against each other clad in dark, shimmering dresses with touch-sensitive electronic chips inside sinewy ribs on the material.discussed enthusiastically, and sanely; and above all without poetry, without literature," she told Morand, he recounts in the book. "A dress is neither a Louis Vuitton new arrivaltragedy, nor a painting; it is a charming and ephemeral creation, not an everlasting work of art. Fashion should die and die quickly, in order that commerce may survive." Morand was born in Paris in 1888 and his first collection of stories - Tender Shoots, published in1921 - was introduced by his friend Marcel Proust. He wrote poetry, novels, short stories and travel books in a long and varied career, and The Allure Of Chanel was first published in French in 1976, the year he died. Caressing each other in scenes that could have been lifted from a Lynch film, the models' touches sent out audio signals to the DJ booth in the club, producing a macabre electronic musical aria.

 The atmosphere nicely complemented the darkness of the looks, which featured a great techno-fabric on a cropped jacket and cross-over dress that gave off a watery, metallic sheen. A black skeletal sheath made of  Louis Vuitton nomade leather bagleather had the dark feel of her exaggerated couture creations. With only 16 looks on display, next time it would be nice to see the talented designer broaden her repertoire with a larger collection. ALEXANDER MCQUEEN Combative metal helmets, neck clasps and leather straps clashed with bright ethnic patterns in Sarah Burton's show for Alexander McQueen that, while bold, moved the house in a slightly more wearable direction — away from the theatrical excess of last season. On a minimal, geometric runway the first black looks of the 32-piece-strong collection, could have been worn by warrior queen Boudica with features such as a leather harness, a thick padded leather coat and an aggressive red layered skirt.

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