HBO documentary Marks 120 years fashion "En Vogue"

In 2012 I did something I had not done in 12 years, I traveled the circuit of fashion week. New York, London, Paris, back. . . Fashion Week may be the presentation of new collections for autumn and next spring, but in its essence, it is a rotating circus style. To be more specific: the best way on the planet. Best dressed people in the world are available, the true elite are men and women who are models, photographers, designers and of course the fashion editors. Pictures of all the shows and slaughtered in the streets and collected and archived, published, distributed over thousands and thousands of pages of all fashion publications devoted much as an inch in fashion and style. Sitting on top of this mountain publication for 120 years, Vogue. Authentic Prada Bags On Sale As someone who is here in the industry for so long, I am very aware of how the landscape has changed in the last ten years: Back then the world was ruled by the last of the supermodels (or just Kate Moss) and a handful of designers. Today many fashion editors are larger than any model on this side of Heidi Klum. This is due to the time that the new HBO documentary, In Vogue: Eye Drafting makes sense. Filmmakers Fenton Bailey and Randy Barbato, by the audience embark on a mini-lesson in the history of the magazine, but they have clearly shown that they are more interested in women who have led the publication in recent decades, the Fashion editors. All publishers that for the movie (Grace Coddington, Polly Mellon, and of course, Vera Wang, Anna Wintour, among others) are interviewed, have similar characteristics, that you expect: intimidation, strength, toughness, and heavy, but at the same time, everyone has a own personality, which are respected only as valuable as their heritage. What immediately intriguing women is the common denominator that they all, in the sense that none of them have a lot of experience to seem to talk about, exactly what she is doing. The first question to each of them (individually) is the fundamental question is doubling as the premise of the film: what fashion editor? None of them had an answer. But the question is finally answered in different ways: either through the bustling Dame Wintour hand, or a ton Goodman eloquent declaration of his love for simple and classic style or Carlyne Dudzeele deer (not just my preference, but a side effect of inspiration for my work as a street style photographer ), the front of the camera with a real I-not-give-a-damn attitude and his approach made it clear that I love and do not care whether contradict idiots. Although there are other interviews with designers such as Marc Jacobs, former models and Hollywood actresses of which offer all the cool, shallow, only a few of the most iconic photographs and magazine shoots initiated, it never loses sight of the fact that these images were developed (and in some cases required) by fashion editors in the heart of the film. At no time during the 90 minutes I found myself looking at my watch or Antsy on the power. The pace of the film is deliberate and effective, and the filmmakers with great care not to intervene on time with unnecessary stress. But in reality these women are fascinating, and I could easily have sat there and listened to stories of 90 minutes each. To super-Fashionistas may a little disappointed that you will find some of the current editorial stars like Anna Dello Russo and Emmanuelle Alt, then the film is specifically Vogue U.S. edition to be, but there are many fantastic time for all. If one of the filmmakers hands a picture of the cover of Vogue Lady Gaga to the eldest of the journal editorial alum life 100 years Babs Simpson, she. Mocked disgust and announced that Gaga looks like a boy But a funny thing happened, and Mrs.Authentic Prada Bags Online Simpson does something unexpected, a lesson about why she was editor for the magazine of the world's biggest fashion and that's why we never.