Paris Fashion Week

Spring signals new beginnings. Not only in the statement-making prints and new colors - such as the Paris spring-summer 2013 season showed - but bold ideas that map the landscape-mode. Such a transformation came in the form of Raf Simons. The anticipation surrounding the Belgian ready-to-wear Dior debut was palpable: the audience streamed into the building, while the white Les Invalides and actor Robert De Niro, director Luc Besson and designer Diane Von Furstenberg is limited to the fore. Louis Vuitton Outlet Online And the designer does not disappoint - the development of its own minimalist style with playful exuberance and also the legendary home, where he mastered the codes, and then vice versa. Looking at the development of the color black was spliced ​​with his palette came in bright yellow, green, pink and blue metallic. Lighter colors were by Roland Mouret, the master of the va-va-voom and Anne Valérie Hash, whose collections boasted combines dynamic, more, more, never served too far from the black, which is now one of the pillars for the year 2013. Issey Miyake, now again took the popular trend color blocking kaleidoscopic. Saturday shows include Dutch design duo Viktor & Rolf fashion queen Vivienne Westwood of England. CHRISTIAN DIOR Freedom is at the heart of power Raf Simons for Dior - a show convinced that matched the essence of the 1950s "New Look", published with the hems 1960th Simons - minimalist - is in many ways the opposite of the ruthless Christian Dior, founder lush house, which favors more ankle silhouettes. But Friday free display shows that the liberation of the mind - except perhaps in silhouette - they meet eye to eye. Simons took the jacket "New Look" Bar, black, gray and white, and sent on the podium often bare legs with skirts of the sexual revolution. It was the same spirit with which wayward Christian Dior's house founded in 1947: the long "New Look" has shocked the fashion world in the use of material pleasure - a response to the rationing of fabric during the war. "The foundation of the house is a reaction to restrictions," said Simons. "I wanted to do it too." Do it, he did - do not forget to have fun on the road. Brash, he Simons and other jackets black mini dress - paired with uber-short shorts. Other eyes had a dashboard architecture Simons own handwriting. Where Christian Dior loved garden flowers - here looking Raf Simons further into the bush, in his jam jar brings six insect-inspired looks sumptuous silk and tulle. A loosely used pink and blue A-line tulle and embroidery, to translucent insect wing veins create. It was details like this that makes this collection so high and fly free. ISSEY MIYAKE Issey Miyake collection is born, tell the program states: ". Down pictures of colorful birds ... and flaps its wings" Weaving the signing of the house techno fabric single jersey and tulle, the result: a phoenix color blocked a show. Hues - and also models that walked in the furrow formation - Converged and sank. In the process, it added a touch of very considerable pleasure on the agenda of the Paris Fashion Week. Black graphic stripes blurred silhouettes in soft pleats and rich, lemon yellow, cobalt, blue and orange, only serves to add to the visual illusions. Then came the science material Miyake-lab shows that it was so well attended as usual. This season, it was up to the house "revolutionary" duplex printing. It was not revolutionary, but the images on the front and back together blurred to create a beautiful game graphically. Models walked the catwalk random white barefoot. "Forget spring," she seemed to say. "We can not wait for the summer" Roland Mouret There must be a lot of pressure on Roland Mouret detach from the label to be the wonder of a dress. The inventor of the famous hat-sleeved "Galaxy Dress", which is adorned with a million red carpets may have been aware of an experimental mood recently nestle gently change their signature. This show is made into coherent Friday. If the last season, the silhouettes were compared to a 1950 "New Look" show Friday before shades shortened from 1980 space age geometry. Origami fold belt, straps and large pockets provided sporadically a little creative twist occurred in a more structured approach to collecting. To Peplums networks and geometric folds and timely provided the creation of butter on his living spreading silhouettes Va Va Voom. You have made a comeback as a pencil along Th lines this season vermilion green, white and on the underlying trend. ANNE VALERIE HASH Anne Valérie Hash hit the right spot with his show feminine but edgy, faded with several looks completely upside. "It was about female self-confidence," said Hash scenes. And the guillotine effect also? "Ah, I think I wanted to have fun." Materials were exposed body with a bustier that gave the shoulders of a curious and fanciful trompe l'oeil guillotined. High-waist pencil skirts in many of the 33 sets - in references indulgent summer black power pink, coral, gold and "anise power" - a structure and gave confidence in the super skinny models silhouettes often "fragile. But hash - a woman a woman - not to mention the sex appeal to be: second with stretch chiffon, sequins skin stretch satin and leather, and much fluid sensuality. Stella McCartney Lively and fresh, Stella McCartney sent on Monday a ready-to-wear sexy and sensible wardrobe, perfect for sharing a sunny summer morning. As always, Sir Paul McCartney turned on the spring-summer of her daughter show staged in opulent salons of the Paris Opera, alongside Charlotte Rampling and American pop artist Mya. Sleeveless dresses were purely linear model with elliptical shapes in bright orange or black, sometimes layered under a sheer blouse for a subtle transparency. There was something going on with boy-girl low slung belts, kimono-style dresses, a light green in the slot. Above the knee, or combinations of black or white pants with a flowing and broad shoulders, sharp edges And for a starter, it is more deceptive game of transparency was strapless dresses black eyelet layers.